{"id":1090,"date":"2013-10-06T15:57:08","date_gmt":"2013-10-06T19:57:08","guid":{"rendered":"http:\/\/www.jkphotography.net\/ACDT\/wordpress\/?page_id=1090"},"modified":"2025-03-06T01:01:57","modified_gmt":"2025-03-06T06:01:57","slug":"people-2","status":"publish","type":"page","link":"https:\/\/www.acdt.org\/?page_id=1090","title":{"rendered":"Faces of ACDT"},"content":{"rendered":"\n
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Susan Collard<\/h3>\n

DIRECTOR AND FOUNDER, ASHEVILLE CONTEMPORARY DANCE THEATRE<\/p>\n\n

Susan has been dancing all her life. She grew up studying Classical Ballet\nand was introduced to Modern Dance at the age of 20 through a graduate\nstudent at Temple University in Philadelphia. She transitioned into Modern\nDance after many seasons of study at the American Dance Festival in\nDurham, NC and The Colorado Dance Festival in Boulder, CO.<\/p>\n

She has performed most recently in Havana, Cuba for the International\nFestival of Dance in Urban Landscapes \u2013 \u201cHabana Viejo Movimiento,\u201d\nwhere she choreographed a piece for Cuban and American dancers, and\nfor the OFF Festival in Montpelier, France. Collard has choreographed over\n60 productions including Jody Foster\u2019s film, \u201cNell.\u201d<\/p>\n

She\u2019s traveled extensively, deriving her choreographic inspiration from\ndiverse cultural experiences. And has toured with her company Asheville\nContemporary Dance Theatre to Cuba, France, Mexico, Canada and\nColombia \u2014 creating international exchanges, with dance artists from\nthese countries, along the way.<\/p>\n

She has also taught for many years at the New Studio of Dance, the school\nof the Asheville Contemporary Dance Theatre. In 1991, she received a\nMary Biddle Duke Foundation grant to produce \u201cDemocracy,\u201d a multi-arts\nproduction. In 1998, she was commissioned by the Thomas Wolfe Society\nto choreograph \u201cA Leaf, A Door, and a Stone\u201d to be performed for the\nThomas Wolfe Festival.<\/p>\n

Recognized for her choreography inspired by female artists and\ninternational collaborations, Susan has also choreographed for film and\ntheatre. She is currently working with international artists on a new\ncollaborative venture: White Dog Dance Project International.<\/p>\n

Susan is the Founder and Director of the New Studio of Dance, and the\ncreator of the Asheville Fringe Festival and 48 Hours Dance Project, as\nwell as Asheville\u2019s first black box theatre The BeBe.<\/p>\n<\/div>\n\n\n

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Photo: Sandee Johnson<\/figcaption><\/figure>\n<\/div>\n\n\n
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Giles Collard<\/h3>\n

CO-DIRECTOR, ASHEVILLE CONTEMPORARY DANCE THEATRE<\/p>\n

Giles is the Co-Director of Asheville Contemporary Dance Theatre. He\u2019s lived abroad in France and Israel, and has performed internationally. Giles currently teaches Modern and Boy\u2019s Dance at The New Studio of Dance in Asheville. In addition to dance, Giles is a fencer and instructs students in Foil and Saber Technique. He has performed with ACDT since 1986 and most recently premiered his work at the Asheville Fringe Festival and Men Dancing IV.<\/p>\n<\/div>\n\n\n\n

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Dancers<\/h2>\n<\/div>\n\n\n
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Photo: Marcos Lugo<\/figcaption><\/figure>\n<\/div>\n\n\n
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Sharon Cooper<\/h3>\n

Sharon Cooper began dancing at the age of 5 at Art-Is-House in Winston-Salem, NC, where she fell in love with it immediately. She later continued her dance training at UNCSA, first in the after school Preparatory Program and then, the high school contemporary dance program. She received a BA in Dance from UNCCharlotte in 2000. After graduation, Sharon began dancing with Asheville Contemporary Dance Theatre, performing both nationally and internationally. She is also a cofounder of The Accidentals, an improv-based performance group.T.<\/p>\n<\/div>\n\n\n\n

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Photo: Marcos Lugo<\/figcaption><\/figure>\n<\/div>\n\n\n
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Diana Cabrera<\/h3>\n

Diana Cabrera is a native of Havana, Cuba where she studied at Escuela Nacional de Arte- the National School of Dance. She later graduated from the Instituto Superior de Arte with a BA in Dance and Performing Arts. She performed with Danza Contempor\u00e1nea de Cuba and became a principal dancer in 2002 participating in the Venice Opera, The International Dance Festival in Berlin, Germany; The Holland Dance Festival; and the Sintra Dance Festival in Portugal. She has worked with notable choreographers Giovanni di Cicco, Joaquin Sabat\u00e9, Jan Linkens, Cathy Marston, Rafael Bonachela, Carlos Junior Acosta, George Cespedes, Samir Akika, Luca Bruni and Kenneth Kvarnstr\u00f6m. Diana moved to Asheville in 2008 and is currently working with Asheville Contemporary Dance Theater.<\/p>\n<\/div>\n\n\n\n

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Photo: Marcos Lugo<\/figcaption><\/figure>\n<\/div>\n\n\n
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Angela Gorman<\/h3>\n

Angela Gorman (she\/her), is originally from New York where she grew up dancing and playing outside. She earned her BA in Dance at SUNY Brockport in 2011. After graduating, she spent her time dancing, teaching dance, and walking dogs in New York City. She has traveled around the country and internationally, performing and teaching workshops with Gushue Moving Arts, VVWdance, and mishiDance. When she is not dancing, she loves spending her time outside in nature which is a continuous inspiration for her movement. She is so thankful to have found a home dancing with ACDT since moving to Asheville in 2020.<\/p>\n<\/div>\n\n\n\n

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Photo: Jennifer Bennett<\/figcaption><\/figure>\n<\/div>\n\n\n
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Melissa Wilhoit<\/h3>\n

Melissa Wilhoit began her dance training at Arlington Center for Dance at the age of five and received her Bachelor of Fine Arts in Dance from George Mason University. Melissa studied Teaching Methodology under Risa Steinberg in New York City, and completed the Professional Studies Program with the Jos\u00e9 Lim\u00f3n Dance Company additionally interning with the company and performing Lim\u00f3n, Sokolow, and Weidman repertory. Highlights of Melissa\u2019s career include dancing with Crossroads Dance Project in Washington, D.C. as well as for Diane Yates Biggs and Deborah Jinza Thayer and with and Buglisi Dance Theatre for the \u2018Table of Silence\u2019 project in NYC. Melissa\u2019s choreography has been performed by Crossroads Dance Project, Horizons Dance Company, Breath of Heaven Gospel Theatre, and Asheville Contemporary Dance Theatre, and has been presented in NYC at Soundance, the International Young Choreographer\u2019s Showcase, the Puffin Room, the Jos\u00e9 Lim\u00f3n Institute, the Whitney Altria, Chelsea Piers, the Time Life Hispanic Heritage Celebration, Arts in Bushwick, Secret Project Robot, Chez Bushwick, and Grace Exhibition Space and in Asheville on the Hendersonville Ballet and at the BeBe Theatre.<\/p>\n<\/div>\n\n\n\n

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ACDT Board of Directors<\/strong><\/h3>\n

Amy Brown<\/h3>\n

John Crutchfield<\/h3>\n

Hilary Drake<\/h3>\n

Lora Kowalski<\/h3>\n

Jennifer Oversmith<\/h3>\n

Rob Resnick<\/h3>\n

Rona Resnick<\/h3>\n

Melissa Wilhoit<\/h3>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Susan Collard DIRECTOR AND FOUNDER, ASHEVILLE CONTEMPORARY DANCE THEATRE Susan has been dancing all her life. She grew up studying Classical Ballet and was introduced to Modern Dance at the age of 20 through a graduate student at Temple University in Philadelphia. She transitioned into Modern Dance after many seasons of study at the American Dance Festival in Durham, NC…<\/p>\n

Read more<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":25,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1090","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.acdt.org\/index.php?rest_route=\/wp\/v2\/pages\/1090","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.acdt.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.acdt.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.acdt.org\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.acdt.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1090"}],"version-history":[{"count":170,"href":"https:\/\/www.acdt.org\/index.php?rest_route=\/wp\/v2\/pages\/1090\/revisions"}],"predecessor-version":[{"id":6489,"href":"https:\/\/www.acdt.org\/index.php?rest_route=\/wp\/v2\/pages\/1090\/revisions\/6489"}],"up":[{"embeddable":true,"href":"https:\/\/www.acdt.org\/index.php?rest_route=\/wp\/v2\/pages\/25"}],"wp:attachment":[{"href":"https:\/\/www.acdt.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1090"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}